/ Solo Music

One voice, fully present.

Compositions built from breath, attention, and the space between sounds.

Close-up portrait of a woman from the shoulder up, natural north-facing window light on her face, eyes closed, throat visible, hands lightly raised near her collarbone suggesting vocal practice, warm linen background, quiet and present
Close-up portrait of a woman from the shoulder up, natural north-facing window light on her face, eyes closed, throat visible, hands lightly raised near her collarbone suggesting vocal practice, warm linen background, quiet and present
— Sonic inquiry

Where composition meets the body

Each solo piece begins with listening — to breath, to resonance, to what the room holds. The result is music that carries its own silence.

Cross-genre fluency shapes the work: contemporary composition, embodied vocal practice, and precise attention converge into something that resists easy category.

Overhead study of a sparse wooden desk with a single open notebook, a pencil resting diagonally, and a small glass of water beside it, soft natural diffused light from the left, warm neutral tones, still life quality
Overhead study of a sparse wooden desk with a single open notebook, a pencil resting diagonally, and a small glass of water beside it, soft natural diffused light from the left, warm neutral tones, still life quality

Music and practice, one source

Solo Music and Voice Yoga share the same root: presence-based listening, breath as material, sound as inquiry. If the music speaks to you, the practice might too.

Explore Voice Yoga to find where the compositional and the somatic meet in Ola's work.